It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator. A well-balanced driver, equally suited to classic rock sounds as it is jazz, heavy metal or punk. Unfortunately, there was no consumer version of the original 1028P speaker offered by Eminence, but at the time I wrote this, Eminence was still making them exclusively for Fender to sell as replacements on their website, and through the Fender Custom Shop, although somewhat expensive. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. Arthur would progress through the ranks to become Managing Director and become the driving force behind FANEs most globally successful period of the 1980s. The Hi-Tone DR-F 75w speakers are another good option for those who find thier Crescendo A speakers to be too bright. Watch this gear and we'll notify you if it becomes available again. Players worldwide pay continued homage to those classic sounds. Your purchases help youth music programs get the gear they need to make music. We look forward to working with you to celebrate further milestones of achievement in the story of success that we shall forge together No compromises are made on design and component specifications to guaranteeonly the finest audio performance. We are trusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the world's most famous sound system designers, high quality musical . Free shipping on many items | Browse your favorite brands | affordable prices. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. Based in the US and want Fane Acoustics products? While not an exact replica, it is the same size and is built like a tank. He is running them through WEM 4x12" cabinets with Fane Crescendo speakers in one and the other has celestion 75s (clean speakers which don't sound so good alone but along with the Fanes he gets an awesome tone). One is the Hi-Tone Eclipse 4x12 speaker cabinet. Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the worlds leading venues and entertainers. New landmarks, such as the first commercially available 24-inch loudspeaker and 4-inch voice coils, enabled FANE to strengthen during this period under the leadership of Arthur Barnes. One unit was equipped with aluminium voice coil windings, a favourite technique of Arthur Falkus to extend high frequency response. Like the Hi-Tone DR-F speakers, these are also based on one of the many Fane purple-backed speakers that were included in 1970s Hiwatt cabs. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. I recall the label - "High Efficiency Anisotropic Ferrite Magnet" From memory I can tell you that they were prized for their sensitivity, which I think was about 100dB/W/m or better, and for some reason it sticks out in my mind that they had unusually high magnetic flux density. 12, 60oz Ceramic magnet, 100 watts, 2 voice coil, ribbed cone. Oops, looks like you forgot something. By the late 1970s there were at least 14 different models of Crescendo speakers offered by Fane. Your purchases help youth music programs get the gear they need to make music. Established in England, 1958. Technical Details Reviews (0) Classic British Fane Crescendo tone. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard David's WEM speaker cabinets are typically loaded with Fane Crescendo 100w 12" speakers. For those of you wanting this sound in a 4x12 cabinet, you can load two Celestions and two Crescendos in an X pattern, or one Celestion and one Crescendo in a 2x12. An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. I bet they're expensive. The 0.5W gives you the possibility of having the true sound of the . Hey! The revolutionary and trail-blazing new speaker technology was highly successful. Those Celestion 75s were either Rola Celestion G12/75, introduced in the 1970s, or the later G12T-75 version made in England in the 1980s - 1990s. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. Hey! Fane Crescendo 1970s pair Gilmour Floyd 12A Speakers used $1,488.75 $176.63 shipping 28 watching The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. 182 yladrd61 said: Check out Eminence Legend 1058's I've had the Legend 1058's in a Fender '63 VIbroverb RI. Open back cabs spread the sound more in all directions and can sound looser. Fane Pro Audio Systems are loaded with customised Fane speakers that have been carefully selected and perfectly matched to their enclosure to achieve incredible levels of performance. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. It may not display this or other websites correctly. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. Speakers Fane 10-75 BASS Fs: 71.5 Hz, Vas: 28l, Qts: 0.56 Fane 12-100 LEAD Fs: 66.1 Hz, Vas: 76l, Qts: 0.45 I have two identical Mesa open-backed wide-body cabs that I've used for the comparisons. Classic Fane build quality, titanium reinforced frame, rare anisotropic ferrite magnet. The Ascension F25 is a low wattage, 25 watt, ceramic magnet, guitar speaker with an emphasis on crunch and mid-range presence. Since the 1970's and throughout most of his career David's Hiwatt heads powered WEM (Watkins Electric Music) Super Starfinder 200 4x12" speaker cabinets. The stock amp sounds excellent, but y. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. speakers, and Crescendo 15B and 18B PA speakers, all of which have completely different specs and sound than the 12A. It is also sometimes difficult to identify real Crescendos. 100w MINT. Each Fane Acoustics guitar loudspeaker driver is individually hand crafted in the UK by a team of highly skilled craftspeople. They have the same cast metal frame as the Scholz Classic/Scholz Sugarcone speakers George Scholz used to sell with his Harry Joyce branded Hiwatt amps and speaker cabs. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. First, blackface and silverface simply refers to the color of the faceplate behind the knobs. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. You must log in or register to reply here. New English Speaking jobs added daily. The A90 is the speaker that long-suffering high output compact combos have been waiting for. It is a tribute to FANE design expertise that other loudspeaker manufacturers, recognising the superiority of the glass fibre coil, replicated the use of this material for their own construction and making it an industry standard. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. Slightly damped aluminum dome provides an articulate high end. Oh yes, I remember those. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. JavaScript is disabled. Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. (bottom row) mid 2000s Crescendo 12MB 300w PA speaker and cone. I'm going to bump this. The 12 A was the type often used by Gilmour. Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. I use a set from 1995 and the mid-scooped tone is almost the opposite of the Crescendo, but paired with a Hiwatt it has a very Gilmour-like sound. Good condition items function properly but may exhibit some wear and tear. There were several amps made by Fender that were in the same tone family as the Twin Reverb - the Dual Showman Reverb, Quad Reverb, Super Six Reverb, and Vibrosonic Reverb. - Phil Taylor, Guitarist Magazine Jan 1995. It is not clear if David has always used type A Crescendos with silver dust caps, but they can be seen in several of his WEM cab photos from 1973 and 1974, so he has probably always used this speaker. Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. $184.66 shipping. By continuing to use Reverb, you agree to these updates, and to our cookie policy. There are also custom speaker cabinet builders who can build a similar cab (no WEM logo or grille cloth though), like Jeff Swanson of swansoncabinets.com. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. Aux portes de la Citadelle de Lille, faites escale sous les tropiques lillois le temps d'un djeune David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. View similar gear from other sellers on Reverb. The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible. No such thing, I'm afraid. EUR speaker cab loaded with Celestion speakers from 2001 (left) and 2004 (right). Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. Fane also sold the exact Crescendo 12A speaker with a regular Fane label. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). 4x12" cabs are overkill for home playing and are really only necessary for large venues. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers He began using them around 1991 in his live rig and for session work like the La Carrera Panamericana soundtrack, and throughout the 1990s and early 2000s. Some of them can be used as guitar speakers, but they were nothing like the old Crescendo 12A speakers. It is still very close to the original, as you can hear in the sound clips below. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. Those were used with his Hiwatts, and I presume the third was a spare. I have also seen several counterfeit Crescendos. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. After '69 the silverface amps became slightly more bassy, with slightly less head room (less clean) when you turn them up, but still good amps for Gilmour. Aluminum caps were popular with many speaker manufactureres in the 1970s. You are using an out of date browser. David has also used other similar Fender tweed amps in his Medina studio in Hove, such as the Bandmaster and Tremolux. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. The 1990 tweed Fender 59 Bassman RI combo amps David used throughout the 1990s and early 2000s were fitted fitted with four 10", 8 ohm, 20w Legend 1028P blue frame Alnico speakers with paper voice coil formers, made by Eminence for Fender. Oops, looks like you forgot something. It's such a beast of a driver even attempts at clones have fallen short. Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. These are the same sound clips from this page. - Less than 10 hours of use at moderate amplifier volume . Most were 50w or 70w Fanes with completely different specs. Our comprehensive range of component loudspeakers deliver upon the Fane principles of designing and manufacturing professional speakers of matchless quality and performance. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. Outstanding Reliability. The old tubes and speakers can also be worn out, which will add to the cost. Any of those will work for the way Gilmour used the amp. Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. The difference is the K has a kapton voice coil instead of paper, and is 35 watts instead of 20. Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end. 1/4 pounders with reverse control wiring, FINALLY DONE, What is your favorite Tele Bridge? Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. For a better experience, please enable JavaScript in your browser before proceeding. I have also seen one catalog listing them as "Crescendo 100A", and a few with "100 'A' "on the spoke labels. 562 were here. That said, I use both at home, but I do not have close neighbors who would complain. Many people replaced these (including Gilmour) with a real 5AR4/CV1377 rectifier tube. frame designs, and differing cloth or aluminum dust cap designs. In January 2007 the Barnes family took the opportunity to purchase FANE with the objective of restoring the brands fortunes through refocusing upon core values and bringing a renewed expertise to the challenges of an audio market that had showed considerable change over the previous twenty years. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? #1 morgansofas Tele-Meister Joined Feb 15, 2013 Posts 306 Location Sherwood Forest, UK Hi All, I've just bought a Fane Crescendo 12" 100w, serial number 19/72, 15 ohm. He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." For a better experience, please enable JavaScript in your browser before proceeding. Vintage Bassman amps with the 5F6-A circuit sound very close to the 59 Bassman reissue with blue frame alnicos, but depending on the speakers used, they may sound more overdriven at high volume. They allowed the high frequencies that are normally dampened with paper or cloth caps to be retained and radiated through the cap dome. Site developed by Edoru. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but . It sounds very similar to the original amps, but speaker types make a big difference with the sound. They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone . Fane has a strong heritage and history in sound engineering excellence. Fane Crescendo Type A speaker with Green Russian Big Muff - On the Turning Away solo, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo with modulation, Fane Crescendo Type A speaker with EHX Ram's Head Big Muff - Mother solo, Fane Crescendo Type A speaker with Green Russian Big Muff - Money solo, Fane Crescendo Type A speaker with B.K. Bold, well controlled dynamics and breakup, strong low end and mids punch without being excessive. WEM cabs were famously used by The Who, Jimi Hendrix, and Pink Floyd, who showcased them to the world in thier Live at Pompeii movie in 1972. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. They can be purchsed in speaker cabinets or individually here. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. An insight into the methods, approaches and perspectives of Fane based on our over 60 years experience designing and manufacturing pro audio component loudspeakers. Hey, maybe the greater the flux density, the more my chances are of going back in time? You will also need glue, epoxy . These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. Devices of innovative design, skilful engineering and superb performance.Every product represents the cutting edge in acoustic design technology, engineering and material science, optimised performance and outstanding durability coupled with amazing value. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. Hi-Tone Amplification sells a 150w Fane Crescendo replica called the Crescendo 'A', made by Eminence. This Speaker can be Paired and is the same as GSFS00012. Classic Fane build quality, titanium reinforced frame, rare anisotropic ferrite magnet. Watkins no longer make WEM cabs and they are extremely very rare to find in good condition these days, and even those in poor condition are very expensive. Thankyou all, I thought it was a mad thought! As FANE continued to further develop speaker technologies for high-power professional audio sound reinforcement, the FANE product range and OEM capability significantly expanded to cover a catalogue range of fifty products. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? Similar to the Fane Crescendo speaker with a warmer, more compressed and fattened tone at higher volumes. They can occasionally be found on the used market, but I do not know anything about the accuracy or build quality. TYPES OF SPEAKER CABINETS - There are many good brands of speaker cabinets - Marshall, Fender, Mesa, Hiwatt, Hi-Tone, Reeves, Peavy, Bogner, Orange, et cetera. Where FANE led the way, others followed. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. Matchless Versatility. 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